Felicien Rops

Rops was born in Namur in 1833, and was educated at the University of Brussels. Rops's forté was drawing more than painting in oils; he first won fame as a caricaturist.
Rops met Charles Baudelaire towards the end of Baudelaire's life in 1864, and Baudelaire left an impression upon him that lasted until the end of his days. Rops created the frontispiece for Baudelaire's Les Épaves, a selection of poems from Les Fleurs du mal that had been censored in France, and which therefore were published in Belgium.
Rops's association with Baudelaire and with the art he represented won his work the admiration of many other writers, including Théophile Gautier, Alfred de Musset, Stéphane Mallarmé, Jules Barbey d’Aurevilly, and Joséphin Péladan. He was closely associated with the literary movement of Symbolism and Decadence.
Like the works of the authors whose poetry he illustrated, his work tends to mingle sex, death, and Satanic images. Felicien Rops was one of the founding members of Société Libre des Beaux-Arts of Brussels (Free Society of Fine Arts, 1868–1876) and Les XX ("The Twenty," formed 1883).
Rops's eyesight began to fail in 1892. He kept up his literary associations until his death.
Félicien Rops was a freemason and a member of the Grand Orient of Belgium.^[1]
Rops's "pornographic prints" are mentioned in the Angela Carter short story "The Bloody Chamber".