Showing posts with label Satanism. Show all posts
Showing posts with label Satanism. Show all posts

Thursday, February 17, 2011

Haxan: Witchcraft Throughout The Ages


"Häxan is a 1922 Swedish/Danish silent film written and directed by Benjamin Christensen. Based partly on Christensen's study of the Malleus Maleficarum, a 15th century German guide for inquisitors, Häxan is a study of how superstition and the misunderstanding of diseases and mental illness could lead to the hysteria of the witch-hunts. The film was made as a documentary but contains dramatized sequences that are comparable to horror films. With Christensen's meticulous recreation of medieval scenes and the lengthy production period, the film was the most expensive Scandinavian silent film ever made, costing nearly two million Swedish krona. Although it won acclaim in Denmark and Sweden, the film was banned in the United States and heavily censored in other countries for what were considered at that time graphic depictions of torture, nudity, and sexual perversion." -From Wikipedia


The Criterion Collection on Haxan




Friday, November 5, 2010

Dictionnaire Infernal

"Jacques Auguste Simon Collin de Plancy (1793-1887) was a French occultist, demonologist and writer; he published several works on occultism and demonology. He was born in 1793 in Plancy-l'Abbaye and died in 1887. He was a free-thinker influenced by Voltaire. He worked as a printer and publisher in Plancy-l'Abbaye and Paris. Between 1830 and 1837, he resided in Brussels, and then returned to France after it returned to the Catholic religion.
Collin de Plancy followed the tradition of many previous demonologists of cataloguing demons by name and title of nobility, as it happened with grimoires like Pseudomonarchia Daemonum, and The Lesser Key of Solomon among others. In 1818 his best known work, Dictionnaire Infernal, was published. In 1863 were added some images that made it famous: imaginative drawings concerning the appearance of certain demons. In 1822 it was advertised as:
"Anecdotes of the nineteenth new century or historiettes, recent anecdotes, features and words little known, singular adventures, various quotations, bringings together and curious parts, to be used for the history of customs and the spirit of the century when we live compared with the last centuries."
It is considered a major work documenting beings, characters, books, deeds, and causes which pertain to the manifestations and magic of trafficking with Hell; divinations, occult sciences, grimoires, marvels, errors, prejudices, traditions, folktales, the various superstitions, and generally all manner of marvellous, surprising, mysterious, and supernatural beliefs.
By the end of 1830 he ostensibly became an enthusiastic Catholic -- to the confusion of his former admirers and detractors.
In 1846 you could purchase (for 16 francs for two volumes) the Dictionnaire Sciences Occultes et des Idée'es superstitieuses which is another listing of demons.
Jacques Auguste Simon Collin de Plancy was the father of Victor Emile Marie Joseph Collin de Plancy (1853-1924) who for nearly a decade starting in 1884 served as French Minister to Korea and whose collected art works and books went on to comprise a core of the Korean collections of the French Bibliothèque Nationale and the Musée Guimet in Paris.
The Dictionnaire Infernal (English: Infernal Dictionary) is a book on demonology, organised in hellish hierarchies. It was written by Jacques Auguste Simon Collin de Plancy and first published in 1818. There were several editions of the book, but perhaps the most famous is the edition of 1863, in which sixty-nine illustrations were added to the book. These illustrations are drawings which try to depict the descriptions of the appearance of several demons. Many of these images were later used in S. L. MacGregor Mathers's edition of The Lesser Key of Solomon though some of the images were removed."



Caym is a great president within the echelons of Hell and rules over thirty legions of demons. He appears in the form of a black thrush, but he also takes the shape of a man with a sharp sword. He is a talented debater and gives to men the understand of the voices of non-human creatures such as dogs and birds.


Abigor is a Great Duke of Hell that rules over 60 legions of demons. He discovers hidden things and can see when future wars will occur.


Amon is a Marquis of Hell. He is the seventh of the 72 Goetic demons who governs forty infernal legions. He brings love and reconciliation between quarreling friends.


Andras is a Great Marquis of Hell and he commands over 30 legions of demons. He is used to sow discord among people and gives advice on how to kill.


Furfur is a count of Hell that rules over 26 legions of demons. He is a liar unless compelled to enter a magic triangle where he gives true answers to every question, speaking with a rough voice. Furfur causes love between a man and a woman, creates storms, tempests, thunder, lightning, and blasts, and teaches on secret and divine things.

Bael is first king of Hell with estates in the east. He has three heads: a toad, a man, and a cat. He also speaks in a raucous, but well formed voice, and commands 66 legions. Bael teaches the art of invisibility, and may be the equivalent of Baal.

Eurynome is a high ranking demon and prince of death.

Yan-gant-y-tan wanders the nights in Finistere and is considered an evil omen among the Bretons. He holds five candles on his five fingers, which he is able to turn quickly.


Belzebuth (aka Belzebub, Beelzebuth), whose name means "lord of the flies" is prince of demons according to the Scriptures. Milton calls him foremost in power & crime after Satan, and most demonographers call him supreme chief of hell. Bodin claims he is no longer seen in his temple. Belzebub was the god of the Canaanites, who represented him with the figure of a fly or with attributes of a sovereign power. He was known to give oracles, as King Ochozias was reprimanded by Elijah for consulting him. Belzebuth is also known to rid harvests of flies.

Demonologists present him in different ways. Milton said he was imposing with a wise face. Some say he is as high as a tower or of similar size to us. Some say he has the figure of a snake with feminine traits.

Palingene wrote in Zodiaco vitae that as the monarch of hell, was of a prodigious size with a swollen chest & a bloated face with flashing eyes and raised eyebrows. He also gives a menacing aura & sits on a throne surrounded by fire. He is black as a Moor, with large nostrils and 2 horns on his head. He has 2 bat-like wings attached to his shoulders, 2 duck feet, a lion's tail, and is covered from head to foot in shaggy fur.

Porphyrus confused Belzebuth with Baccas, while others say Priapus is greater. Others claim he is associated with the Slavic god Belbog or Belbach (white god), because his images were always covered in flies, like Belzebuth among the Syrians. Sometimes he was associated with Pluto, or possibly identified with Bael, whom Wierus made emperor of hell. The name Belzebuth is not found in Wierus' infernal monarchy.

In Solomon's Clavicules, Belzebuth appeared as an enormous calf or a goat with a long tail, but with the face of a fly. Belzebuth appeared to Faust 'dressed like a bee and with two dreadful ears and his hair painted in all colors with a dragon's tail.' The Marechal of Retz described him as a leopard. He breathed fire and howled like a wolf when angry. Sometimes Astaroth appears with him in the form of an ass. -

Dictionnaire Infernal at Wikipedia

Kenneth Anger's Death

Wednesday, November 3, 2010

Kenneth Anger b. Feb. 3, 1927

 
Kenneth Anger is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which in particular have been grouped together as the "Magick Lantern Cycle", and form the basis of Anger's reputation as one of the most influential independent filmmakers in cinema history.[1] His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle."[2] Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate."[3] Some of his particularly homoerotic works, such as Fireworks (1947) and Scorpio Rising (1964), were produced prior to the legalisation of homosexuality in the United States. He has also focused upon occult themes in many his films, being fascinated by the notorious English occultist Aleister Crowley, and is a follower of Crowley's religion, Thelema. This influence is evident from films like Inauguration of the Pleasure Dome (1954), Invocation of My Demon Brother (1969) and Lucifer Rising (1972).

Anger has described filmmakers such as Auguste and Louis Lumière and Georges Méliès as influences,[4] and has been cited as an important influence on later film directors like Martin Scorsese, David Lynch[5] and John Waters.[6] He has also been described as having "a profound impact on the work of many other filmmakers and artists, as well as on music video as an emergent art form using dream sequence, dance, fantasy, and narrative."[2] During the 1960s and 70s he associated and worked with a number of different figures in popular culture and the occult, including Church of Satan founder Anton LaVey, sexologist Alfred Kinsey, artist Jean Cocteau, playwright Tennessee Williams and musicians Mick Jagger, Keith Richards, Jimmy Page and Marianne Faithfull. He is also the author of the controversial best seller Hollywood Babylon (1959) and its sequel Hollywood Babylon II (1986), in which he claims to expose many of the rumours and secrets of Hollywood celebrities.

 Invocation of My Demon Brother:


Scorpio Rising